FEATURED
I am a little embarrassed by the attention but there is a seven page interview with me in Issue 54 of 3DArtist magazine.
I talk about art, design, visual effects and the importance of artistic fundamentals (drawing, anatomy) to the creative process. There is also a bit on ZBrush technique, 3d printing, and a peak inside one of my sketchbooks from War Horse.


The Eaton-Houdon Écorché is my update of the classical anatomy figure by 18th Century sculptor Jean-Antoine Houdon. His original l’Écorché sculpture, produced in 1767 during his time in Rome, has been used by artists studying anatomy for centuries. It is celebrated for its balance, gesture and proportions but, to the trained eye, has always contained a handful of anatomical inaccuracies. Combine this with an overall loss of detail resulting from centuries of re-casting and the piece was in need of both an accuracy update and a sharpening of details. The result is shown above.
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The Winter session of Digital Figure Sculpture starts on June 27th. This course covers the critical foundation necessary to build naturalistic figures in ZBrush, including all the tools and techniques that I use day-to-day in my own figure sculpting – both on my art projects and on feature film characters.
Over ten weeks artists get a chance to hone their skills by completing numerous weekly figure studies and one detailed full-figure study. The course reinforces the importance of anatomy as the critical foundation for building realistic figures and shows practical construction techniques for applying this knowledge to figure sculpture. The goal is for every artist on the course to increase the realism and naturalism of their figurative work in ZBrush.
For more information and registration see the Digital Figure Sculpture course page here.
I am just back from giving an intense but enjoyable week of anatomy masterclasses to a talented group of artists at Sony’s Santa Monica studio. These are the guys and girls who have the enviable job of crafting the God of War franchise, a series of amazing games steeped in Greek mythology, a theme after my own heart.

Over four days I covered a ton of anatomy for the character artists, concepts artists, animators and riggers at the studio. But by late in the third day everyone was reaching saturation so we had a little fun trying to update my infamous Gallery Abominate with some of their work from God of War Ascension. The most interesting discovery from the week though: cervical ribs occur in approximately .2% of the population, and one artist on the course had this ‘neck rib’, making him officially a statistical outlier. Exciting stuff ;).
Anyone who has been to EATON.london recently might have noticed that my Venus iPad Docking Station needs companionship. The good news is there are a couple new docking stations in the works, so she will have company soon.
But now there is talk around the studio of making a sweet little (big?) desktop lamp to add to the Venus range. My sketchbooks have been bubbling with ridiculous and absurd variations on the theme. Here is one of the more presentable…
For updates join the Venus mailing list.
I have recently returned from a great week of lecture and workshop at Ubisoft Montreal (legendary for their work on the Assassin’s Creed, Far Cry, and Prince of Persia series). The topic for the week was Portraiture and Facial Anatomy and we covered a huge amount of secret knowledge for constructing faces. If you are interested in going in-depth on ALL the important aspects of portraiture and facial anatomy for artists, then check out the workshop I run in London, OR stay tuned for the online course coming this Spring! Sign-up to the the newsletter to stay informed.
The Venus of Cupertino, Scott’s iPad docking station is finished. Here she is with all the creative mess generated taking her from the early prototype to the final functional docking station: a short stack of sketchbooks, a pile of 3d-printed grip and charger tests, wads of spent sandpaper, a few files, and of course a couple iPads.
London Design Festival
The Venus of Cupertino will be at London Design Festival in September. She will be in attendance as the iPad docking station you see here but there may be a couple other surprises as well. If you are near London on September 20-23, stop by Tent London and see her in person.
ORDER
The Venus of Cupertino is now available to order at:
EATON.london
An army, ok more like a platoon, of Venuses getting ready for London Design Festival 2012. Find them at Tent London on 20-23 September.
I recently contributed a four page masterclass to 3dArtist magazine. In it I outline the process of using écorché drawings to study anatomy. The articles gives a concise introduction to the material that I cover in-depth in my Anatomy for Artists course. If you are new to anatomy or are interested upgrading your anatomy skills, check it out.
straight from the mold and put to work
The first artist’s proofs of the Venus of Cupertino are now coming out of the mold. Each piece is hand-cast and gently coxed from a finely detailed platinum-cured silicone mold. Ok, occasionally the gentle coxing gives way to yanking, jerking and pulling, but not every labor is easy! Check out these images of the Birth of Venus.












